This movie was an absolute delight. I had heard some good things but missed its initial release, so when I made the effort to see a one-night screening at the Rio, in spite of wanting to stay home and watch the new Black Mirror, I was very surprised and elated to discover one of the most original movies of the year. Sorry to Bother You made me laugh, made me think and made me go “WTF?” with its truly unpredictable plot twists. I loved it and I think it is one of the best movies of 2018.
The movie opens with Cassius Green (Lakeith Stanfield) interviewing for a telemarketing job at Regalview, part of a huge multifaceted corporation run almost as a personality cult by Steve Lift (Armie Hammer in hilarious form). The job sucks and there is discontent between workers and management with a move to unionize led by Squeeze (Steven Yeun), but when Cassius starts using his “white voice” (dubbed by David Cross) to connect to clients he rises through the ranks leaving his friends behind when he becomes a star “powercaller”. But Reglaview has a dark side which is only revealed as Cassius climbs higher and it only gets darker and funnier and flat-out weirder as the film approaches its conclusion.
The first thing I loved about this movie was its tone. It is very relatable with a fine supporting cast of rich and diverse characters, and it definitely plays to a mature audience with grown-up sensibilities. It’s not an overt crowd-pleaser (although the large audience I saw it with did sound very amused throughout). I also really loved how it’s one of those kinds of science-fiction movies that creeps up on you. There is already a heightened sense of silliness in a lot of what we see, but the real world is also very silly when looked at in certain ways and it’s only the gradual accumulation of details that clues you into the fact that this is not the real world. That is, until a crazy plot twist late in the movie that is pure sci-fi but works because of all the subtle groundwork laid in.
There are some rough edges to the movie (the film’s lack of budget is very apparent in one sequence involving a riot) but that is part of its charm. It’s a scrappy underdog of a movie, about working class heroes and featuring a fairly socially progressive point of view (the union subplot being a perfect example). That’s the kind of real community justice you don’t see in most movies, probably because most movies tend to reinforce the status quo instead of challenging it. The film has many little touches that tip you off to its subversive nature which had me grinning when I wasn’t outright laughing, and that is the most important thing of all – the film avoids being preachy by making you laugh.
Boots Riley deserves special mention for his writing and directing, the movie is full of wildly inventive visual ideas that match the story perfectly, and the cast is terrific. Lakeith Stanfield is immensely sympathetic, keeping you on his side even when he’s selling out, and Tessa Thompson is wonderful as Cassius’ performance artist girlfriend Detroit. Terry Crews has only a couple of scenes as Cassius’ uncle Sergio but he’s always a gem. I really enjoyed the mostly non-white casting because I love seeing other faces and voices on screen. The movie is incisive in its comments about race and one sequence in particular had many in the audience at the screening I attended squirming with discomfort, myself included. I love it when a movie can make me squirm and laugh and think.
Sorry to Bother You is very high up on my list of best films of 2018. I thought it was highly creative and original with many genuine surprises, but also that it was smart and funny – very, very funny. I was smiling almost from start to finish and for a long time after it was over. I really can’t say enough good things about it, I thought it was truly unique and special. I loved it.